Monsoon (2020) (Review)

 

Some films can feel so delicate that a single gust of wind could carry it away, or a too sudden movement would unsteady it completely. But the overwhelming tenderness found in Hong Khaou's Monsoon crafts a gorgeously sensitive and powerful character study that quietly moves and compels with every moment. Telling the story of Kit and his journey back to his Vietnam homeland for the first time in over three decades, identity and rediscovery are at the forefront of this impressive effort. Henry Golding leads.

Monsoon takes it slow and steady, with the short 85-minute runtime feeling comparatively longer. While that may be a negative thing for most films, it speaks volumes on the level of detail and care poured into the character of Kit and his development; that we learn so much about the character in a short space of time, without ever feeling rushed or forced, is a testament to Khaou's writing - the screenplay's gentle thematic undercurrents carefully measured. It's a whisper of a film, which may not work for all audiences, but is bound to connect deeply with those swept up by it.

While Kit is front and centre throughout the film, Khaou's confident direction, alongside Benjamin Kracun's luscious cinematography, help establish another incredibly important element of Monsoon: Vietnam. The country and its once-war-torn history is made a character in its own right, the perfect backdrop and catalyst for Kit's emotional journey. With the busy, bustling streets juxtaposed by the quiet, self-reflection tone and steady pacing, it is a smart contrast that enhances both the film's texture and depth.

Henry Golding is a revelation. Known to audiences for his infectious charisma permeating through his roles in Crazy Rich Asians and Last Christmas, Monsoon is a notable change of pace: a decidedly more nuanced, subtle performance aching with feeling while still maintaining his natural magnetism as a screen presence. More insular, internalised performances like Golding's can be easy to overlook but the power of his work is undeniable, demonstrating his range and talent tremendously.

Profoundly elegant, Hong Khaou's sophomore effort is quietly fantastic. A year after my first watch, Monsoon's impact can still be felt, enriched by a second viewing which reveals its depth more clearly. With a wonderful performance from Henry Golding and such directorial poise from Hong Khaou in only his second feature to date, Monsoon is a film worth letting wash over you.

Summary: Henry Golding's stunning, surprisingly subtle lead performance helps steer Hong Khaou's sensitively-told character study, Monsoon, to solid ground.

Monsoon is available on DVD in Blu-ray in the UK from November 2nd.