Bad Moms was one of 2016's biggest sleeper hits. Riding a positive word-of-mouth wave from its core demographic, Bad Moms turned an impressive-in-itself $23 million domestic debut weekend into an astonishing $113 million smash, delivering a $179 million worldwide cume on a budget of a mere $20 million. In a summer where everyone and their mother felt the heat, Bad Moms cruised to victory because it stood out from the crowd (an R-rated, female-led, female-orientated comedy). It was to reason that a sequel would arrive with us, and just 17 months later, we have A Bad Moms Christmas. I liked the first an awful lot, so will this festive sequel be more of the same to celebrate or a cold turkey?
For Moms (I hate using this spelling - it's Mums - but what can I do, eh? It's a commitment to the art), Christmas is the most stressful time of the year. Feeling the pressure to create the perfect holidays for their families, Amy (Mila Kunis), Kiki (Kristen Bell) and Carla (Kathryn Hahn) decide rebel against the rules and try to enjoy the festivities for themselves; it really looks set to be the perfect Christmas. But with the arrival of their own respective mothers (Christine Baranski, Cheryl Hines and Susan Sarandon), will they be so snowed under hosting and entertaining that they actually forget what family means at the most wonderful time of the year?
A Bad Moms Christmas has no qualms in delivering more of the same, just this time complete with that holly, jolly angle (a sly, clever plot to turn the film into another leggy hit for STX Entertainment, one that you cannot help but admire). After all, why would you mess with a formula that worked out so well the first time? It shows our returning mothers ripping up the figurative (or literal?) parenting rulebook to shreds and having fun for themselves with each other. This time though, that central premise carries a very questionable addition - one that was either missing from the first, or went entirely over my head.
In a montage sequence just over 15 minutes into the film, Amy, Kiki and Carla head to the shopping mall to complete some last-minute bits and pieces; deciding they couldn't possibly do it sober though, they get absolutely sloshed and run amok. They harass numerous shop assistants, get touchy-feely with Father Christmas and steal a tree from a store, creating as much chaos in the process as they flee from the scene, overjoyed with their behaviour.
I enjoyed it in the moment: Kunis, Bell and Hahn are clearly having fun and it's reminiscent of the joy they had in the supermarket during last year's film, which worked well. But on deeper reflection (and in the total understanding that, in most cases, these film shouldn't really undergo deeper reflection), it becomes problematic. It presents these three women - as dramatic as it sounds - as menaces. Its counter-productive to the overall message and tone of the film, going against everything else the film tries to say or achieves.
Now, admittedly, that is something most viewers will look beyond - but it attenuated the rest of the film for me, personally. On the whole, the rest of the film avoids falling in that same trap too often, outside the admittedly funny characterisation of Carla, who can get away with anything because of Kathryn Hahn's balls-to-the-wall delivery. But for the other two (Kiki in particular) it seems out of character and undermining. It's a poorly-thoughtout set piece that I couldn't really shake after. Why, in a female-empowering comedy, would you portray these women in such a rash manner? Maybe I'm over-reacting, so I would love to hear your thoughts on this one.
Both succeeding and failing in the exact same areas, A Bad Moms Christmas most crippling aspect again is its screenplay. More so than the first film, it appears to be a collection of admittedly-funny, tenuously-assembled set pieces and montages, with flimsy connectivity tissue in between. We jump from sequence to sequence, with only the holiday angle pulling it all together - like the last button holding together your trousers after your Christmas dinner, it's set to burst at any moment in a sort of embarrassing way. Fewer bells laughs but consistent chuckles populate Bad Moms 2, but the script never utilises the game cast to the best of their abilities. It feels like a missed opportunity, with the ensemble bearing almost all of the weight of the screenwriter's surges. It strikes you as incredible rushed too, assembled in such a formulaic manner to push the product out as quickly as possible, meaning that you never feel surprised or overly-enthused.
As mentioned though, the cast are terrific. They elevate the film tremendously, with both the returning cast and new additions impressing in equal measures. Kunis is again the undisputed focus and charms her way through the middling script, balancing the tone effectively; she bears most of the film's emotional weight and sells it for all its worth. Bell plays Kiki again with a loveable naivety, portraying the super stressed Mom with delight. She's a tremendous comedic performer but can never seem to find a script that can capitalise on her talent effectively. Of course though, Kathryn Hahn absolute steals the show, as sharp and audacious as ever with a delicious and delirious sense of humour and timing. Rather than being solely relegated as comedic relief this time out, she is actually provided a little more substance (albeit very loosely) - advancing her character emotionally very effectively.
Of the new cast, Christine Baranski is a treat. With enough catty one-liners to sink a PTA meeting, the overbearing, high-maintenance mother of Amy is played with a scorching, acidic bite courtesy or Mrs Baranski, taking over Christina Applegate's reigns from the first film. She's terrifically cast as the vitriolic Ruth, sparring and wrangling like the world is going to end and she needs to get every insult out of her body. Cheryl Hines has a lot of fun as Sandy, so desperate to cling on to her daughter in a way that straddles the line between well-meaning and neurotic very effectively. And Susan Sarandon is the truck-driving, money-laundering Isis (and yes, jokes a-plenty about the unfortunate association with the terrorist organisation) (how very creative). She's ballsy and probably not a mother most of us can recognise, painted with very broad strokes, but Sarandon brings an energy and zest you cannot deny. All are well-cast and fill the gap left by the 'bitchy moms' from the first film (who I miss an awful lot).
One particularly misjudged, ill-spirited and sour Santa Stripper moment, and that problematic act one reel aside, Bad Moms 2 is a generally enjoyable slice of popcorn fluff - the sort of which you should never under-estimate at this time of year especially. Scott Moore and Jon Lucas' direction is streamlined efficiently; they get in and out as quickly as possible, providing exactly what they need to and little more in the process. It's accessible, straightforward and uncomplicated. An over-reliance on montages becomes increasingly grating, barely stitched together at times and evidence of a slight laziness from Moore and Lucas. The adorning Christmas decorations and set are rather lavish and the art department sell it well considering it was filmed during the summer.
Other than an incredibly clunky script and a few tonal misfires, A Bad Moms Christmas is enjoyable enough. If you liked the first, this is more of the same; likewise though, if you didn't like the first, this one is not in the business to change hearts or minds, borrowing the same template and very rarely straying from it. As with the first, the cast really make this film, dragging the weak script with them like a heavy Christmas tree from market but seldom being burdened with it. There's no doubt the scriptwriting needs a woman's touch and hopefully it's something the theoretical sequel and spin-offs look towards; until then, the representation of these women don't always feel organic. Its festive angle delivers just enough to make it worth the effort and even though it doesn't reach the heights of the first, it serves its purpose with a funny, never hilarious, Christmas romp. Joy to the world? Not so much. But it’s demographic will lap it up.
Summary: There's no denying A Bad Moms Christmas is a lazy rehash of the first with some addition festive cheer to excuse it, but it's entertaining and enjoyable enough because the cast have such fun. It's certainly not in the business to change hearts or minds though, so adjust your efforts accordingly.
Both succeeding and failing in the exact same areas, A Bad Moms Christmas most crippling aspect again is its screenplay. More so than the first film, it appears to be a collection of admittedly-funny, tenuously-assembled set pieces and montages, with flimsy connectivity tissue in between. We jump from sequence to sequence, with only the holiday angle pulling it all together - like the last button holding together your trousers after your Christmas dinner, it's set to burst at any moment in a sort of embarrassing way. Fewer bells laughs but consistent chuckles populate Bad Moms 2, but the script never utilises the game cast to the best of their abilities. It feels like a missed opportunity, with the ensemble bearing almost all of the weight of the screenwriter's surges. It strikes you as incredible rushed too, assembled in such a formulaic manner to push the product out as quickly as possible, meaning that you never feel surprised or overly-enthused.
As mentioned though, the cast are terrific. They elevate the film tremendously, with both the returning cast and new additions impressing in equal measures. Kunis is again the undisputed focus and charms her way through the middling script, balancing the tone effectively; she bears most of the film's emotional weight and sells it for all its worth. Bell plays Kiki again with a loveable naivety, portraying the super stressed Mom with delight. She's a tremendous comedic performer but can never seem to find a script that can capitalise on her talent effectively. Of course though, Kathryn Hahn absolute steals the show, as sharp and audacious as ever with a delicious and delirious sense of humour and timing. Rather than being solely relegated as comedic relief this time out, she is actually provided a little more substance (albeit very loosely) - advancing her character emotionally very effectively.
Of the new cast, Christine Baranski is a treat. With enough catty one-liners to sink a PTA meeting, the overbearing, high-maintenance mother of Amy is played with a scorching, acidic bite courtesy or Mrs Baranski, taking over Christina Applegate's reigns from the first film. She's terrifically cast as the vitriolic Ruth, sparring and wrangling like the world is going to end and she needs to get every insult out of her body. Cheryl Hines has a lot of fun as Sandy, so desperate to cling on to her daughter in a way that straddles the line between well-meaning and neurotic very effectively. And Susan Sarandon is the truck-driving, money-laundering Isis (and yes, jokes a-plenty about the unfortunate association with the terrorist organisation) (how very creative). She's ballsy and probably not a mother most of us can recognise, painted with very broad strokes, but Sarandon brings an energy and zest you cannot deny. All are well-cast and fill the gap left by the 'bitchy moms' from the first film (who I miss an awful lot).
One particularly misjudged, ill-spirited and sour Santa Stripper moment, and that problematic act one reel aside, Bad Moms 2 is a generally enjoyable slice of popcorn fluff - the sort of which you should never under-estimate at this time of year especially. Scott Moore and Jon Lucas' direction is streamlined efficiently; they get in and out as quickly as possible, providing exactly what they need to and little more in the process. It's accessible, straightforward and uncomplicated. An over-reliance on montages becomes increasingly grating, barely stitched together at times and evidence of a slight laziness from Moore and Lucas. The adorning Christmas decorations and set are rather lavish and the art department sell it well considering it was filmed during the summer.
Other than an incredibly clunky script and a few tonal misfires, A Bad Moms Christmas is enjoyable enough. If you liked the first, this is more of the same; likewise though, if you didn't like the first, this one is not in the business to change hearts or minds, borrowing the same template and very rarely straying from it. As with the first, the cast really make this film, dragging the weak script with them like a heavy Christmas tree from market but seldom being burdened with it. There's no doubt the scriptwriting needs a woman's touch and hopefully it's something the theoretical sequel and spin-offs look towards; until then, the representation of these women don't always feel organic. Its festive angle delivers just enough to make it worth the effort and even though it doesn't reach the heights of the first, it serves its purpose with a funny, never hilarious, Christmas romp. Joy to the world? Not so much. But it’s demographic will lap it up.
★★★★★★☆☆☆☆
(6/10)
Summary: There's no denying A Bad Moms Christmas is a lazy rehash of the first with some addition festive cheer to excuse it, but it's entertaining and enjoyable enough because the cast have such fun. It's certainly not in the business to change hearts or minds though, so adjust your efforts accordingly.